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Totally Acoustic Returns!
I had an EXTREMELY busy day on Thursday, featuring a training course (with me giving the training), an ART exhibition and a Christmas DO, all before 5pm! By the time I got to The King & Queen I was ready for some ROCK, and luckily that was available in plentiful supply.

For LO! I was there for the Christmas edition of Totally Acoustic! We hadn't done one of these for over a year so I was RIGHT looking forward to it. On the way to the pub I bumped into The Popinjays, who'd already been in, SOUNDCHECKED, and were now off to get some GRUB, and then once upstairs I found Mr D Green practicing his 80's singalong, so all the acts were ALREADY there, which is always a GRATE relief to me. I was thus able to concentrate on setting up the seating, saying hello to people, and having a much needed PINT.

By just after 7.30pm not only were all the acts in place but most of the AUDIENCE was too. It was delightful to see pretty much ALL of our regulars there (with Mr S Hewitt and Mr T Eveleigh arriving just as we began and making us COMPLETE) and also a good bunch of new people, including Mr T Parsons who had been on my mailing list for YEARS but had never actually seen me before!

I thus took to the stage area and, after a rousing choral rendition of the theme tune, did THIS:
  • Last Christmas (in the EU)
  • Cheer Up Love
  • Have A Drink With Us (Drink Doch Eine Met)
  • It Only Works Because You're here


  • It all seeemed to go pretty well - it's been AGES since I last did a gig so I'd wondered if I remembered how, but it seems to be like riding a bike i.e. smelling faintly of oil and with a good chance of falling over. Dave then came straight on for his SYNTH-led singalong, which was BRILLIANT. Dave could well do a gig without ANY music or other forms of entertainment, just TALKING, but here he had three AMAZING tunes and also SONGSHEETS, so the whole room sang along. More people should do this sort of thing! It climaxed in an Actually Rather Moving version of "Only You" which will be available for further enjoyment on the podcast!

    After the traditional short break The Popinjays came on. The Validators and I had played with them in Cologne and found them to be a) GRATE b) DELIGHTFUL people, and that assessment was found to stand up in an acoustic setting. It was a bit weird actually - when I asked them to do it they said they'd NEVER really done anything remotely acoustical before and seemed to genuinely be a bit nervous about it, but they took to it INSTANTLY as if it's what they'd been doing all their ROCKING LIVES. It was fantastic, I really hope they do it some more!

    And then it was time to settle in for the usual BEERS, WHISKY, and CHAT that traditionally follow at Totally Acoustic, which was as lovely as ever. It felt simultaneously like AGES since we'd last done one of these and also no time at all, and it reminded me, and I think all the other regulars, how much FUN it was and what a FLIPPING ACE pub The King & Queen is. Myself and The Dates In My Diary discussed the matter when we got home and agreed that perhaps some time COULD be found to do it a bit more regularly again, so look out next year for Totally Acoustic's RETURN, not monthly but perhaps on a QUARTERLY basis!

    posted 10/12/2018 by MJ Hibbett
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    Last Christmas (in the EU) UNLEASHED!
    Man the barricades and deck the halls, for LO! today we unleash our epochal combination of POLITICAL SONGWRITING and CHRISTMAS HIT in the shape of our brand new Christmas song, Last Christmas (in the EU)!

    As with all of our previous Christmas singles it's been added to our Christmas Selection Box, which this year is not only available via Bandcamp but also (in most countries anyway) on iTunes, Spotify, and pretty much ALL streaming and download sites. At long last you will be able to add our MIGHTY FESTIVE CATALOGUE to your Playlists!

    We are very PROUD of this one, as we think it is ACE, and hope you think so too!

    posted 3/12/2018 by MJ Hibbett
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    Christmas Video Completed
    This morning I finally completed a project what myself, The Validators, and The Items On My List have been working on for LITERALLY MONTHS: this year's Christmas VIDEO!

    As regular readers will be aware, work on this began WAY back in September when The Validators exhibited symptoms of Not Exactly Enthusiasm for the song I'd originally written to be this year's Christmas single. The aforementioned Tinsel On My Tree pointed out that she'd already told me a MUCH better idea, for a song about this being out last Christmas in the EU, and upon review it turned out that she was, as ever, CORRECT.

    A song was thus written to these new guidelines, a demo version was provided to the Validators, approval was granted, and then the following month we commenced recording sessions. The usual procedures then applied to THIS activity (when you have been in a band together for TWENTY YEARS you do tend to find that your procedures are both DEFINED and COMPREHENSIVE) until the track was HONED to perfection, at which pointed I applied my BRANE to the video.

    The story was agreed quite early, following contributions from all stakeholders (I know I always say it, but The Validators really are JOLLY GOOD at this sort of thing - if we ever turn our skills to WORLD DOMINATION then all would fall before us) and the general format, which i can only describe as A MODERN EPISTOLARY NOVEL hem hem, was agreed quite early on, but it took AGES to do the actual IMAGERY. I had originally intended to star in it myself as SANTA, but that just looked RUBBISH. Luckily myself and The Partners In My Partnership found a NEW STAR during a trip to our local department story who suddenly CRYSTALIZED the entire CONCEPT. When you see the video you'll understand what I mean!

    Next there was a PHOTOSHOOT, conducted this time by The Pictures In My Album, and then about a FORTNIGHT of putting the whole thing together. For reasons of EASE I ended up assembling the various images in POWERPOINT (again, when you see the video you'll see why I did it that way), which turned out to be a dead good idea, but did involve a LOT of copying, pasting, sizing, text formatting and so on. It took AGES to do but, rather wonderfully, utilising this method meant that EDITING the final video was a piece of CAKE. I even learnt how to force Powerpoint to export slides as high-definition PNG files in the process - I bet Godley and Cream never had to edit THEIR computer's registry when making a video! THEIR LOSS!

    There was then a final round of discussion with stakeholders which, again, garnered excellent results. The Validators are pretty much THE BEATLES of ROCK ADMIN - who needs Brit Awards when you can conduct a full virtual team meeting by email and have action points ACTIONED by 7.30am the following day?

    The upshot of ALL of this is that the video is now DONE and is ready to be UNLEASHED on Monday morning, alongside the song and indeed the entirety of the revamped Christmas Selection Box album on iTunes, Spotify, and ALL of that sort of thing (unless you're in certain parts of the world, for reasons explained elsewhere, in which case you'll need to get it on bandcamp). It is, I think, going to be QUITE the Thing - not only a lovely Christmas song with a FAB video, but also pretty much GUARANTEED to bring down the government and end Brexit!

    posted 30/11/2018 by MJ Hibbett
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    Pre-tour Photo Shoot
    For the past couple of weeks Mr M Tiller and I have been endeavouring to make a mutually agreeable appointment to discuss some of the finer aspects of our TOUR next year, including doing some PICTURES and VIDEOS for promotional purposes. He suggested I go over to his place in Camberwell on Wednesday of this week (aka YESTERDAY at time of writing) so I checked in my diary and saw that I was somewhere with work for most of that afternoon. On further investigation I realised that I was going to be at Camberwell College of Art! PERFECT!

    Thus I spent a very happy afternoon at Camberwell College a) finding the room I was Giving Training in b) working out where the projector was and how it worked c) GIVING the Training what I was there to Give, and then d) heading off to chez Tiller. Upon arrival Matt made me a VERY posh cup of coffee (he ground the beans himself! I saw him do it!) and then we went into his front room to do some short VIDEOS. Matt works in TELLY and so has gathered together various bits and bobs of KIT over the years, and so we had Actual Lighting for this session. It looked very nice when we watched it back, photographically at least, even though the content was mostly the two of us LARFING at each other and forgetting the tour dates.

    Shortly after that Matt's cousin-in-law arrived to take PHOTOGRAPHS. She is a Professional Photographer so there was some more time spent with LIGHTING and DEPTH OF FIELD and PHOTOGRAPHER THINGS, but then the SHOOT began and it was ENORMOUS fun. "I don't even have to direct you!" she said as the pair of us titted about, pulling silly faces while variously hiding behind a sofa, pretending to be superheroes, and almost falling over.

    It was a very pleasant end to a working day which will hopefully lead to some quality Promotional Materials. I shall ALERT you as soon as they are available to VIEW!

    posted 29/11/2018 by MJ Hibbett
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    Very Cherry 13
    I had a lovely facebook message from Mr G Jones yesterday, telling me that there had been a REVIEW of A Very Cherry Christmas volume 13 which mentioned how much they liked my contribution, The Christmas Robot.

    This pleased me NO END. It's always nice to get a good review of course - whatever GRUMPS say - and it's such a long old time since we actually RELEASED anything that COULD get reviewed that I'd sort of forgotten how nice it actually is! I was also pleased that the review gets EXACTLY what I was going for in the song.

    Most of all it was a nice reminder to ME that this stuff is actually meant to get out into the WORLD. For the past couple of months we've been hard at work prepping Christmas Selection Box for OFFICIAL RELEASE, by which I mean not just adding a couple of songs as we usually do but unleashing it upon iTunes, Spotify and all that sort of thing. We're adding a whole bunch of new songs to it, including this year's CHRISTMAS HIT which will not only celebrate Christmas but will also DEFINITELY bring down the government, along with a couple of extra HITS - more on THESE when release day comes around on the 3rd of December.

    This process has been helped along a GRATE deal by those lovely people at Emubands, who sort out our digital distribution for us. I filled in all the forms and uploaded all the relevant tracks, and they very kindly, and quickly, got in touch to tell me what I had done WRONG. The main error was that I'd included a bunch of cover versions and then clicked "Worldwide Distribution", which meant that I'd have to go round getting CLEARANCES for several territories. They offered various ways to deal with this, the easiest of which was simply not bothering with the difficult ones, so I'm afraid that people living in the USA, India, Pakistan and (I think) Japan will just have to stick to Bandcamp. Sorry!

    However you choose to enjoy it, the whole SHEBANG will be released in a couple of weeks. In the meantime I say let's get Christmassy NOW - we've had to sit through Brexit all year, we deserve a bit of festive cheer!

    posted 21/11/2018 by MJ Hibbett
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    Return Of Representation
    This blog may appear quiet, but beneath its metaphorical waters there has been a MAD FRENZY of activity, for LO! I have been doing THE WRITING!

    Regular sufferers of my MIGHTY MUSINGS will be aware that a year or two ago I very nearly got signed up with an AGENT for my book 'Storm House'. It got as far as me signing a contract, but not quite as far as THEM signing it, as the Agent who'd liked the manuscript moved to another job JUST as it was happening. It was all a bit distressing, and I ended up releasing the book MYSELF instead last year, which was a whole LOT of fun.

    The Agent Who Wasn't had told me that 'Storm House' was actually a CHILDREN's book, so I sent it off to a couple of Children's Novel competitions and BLOW ME if it didn't get longlisted for BOTH! One of these, the Times/Chicken House Children's Fiction competition sent me some GRATE notes, including a suggestion that the reason it hadn't got SHORTlisted was that it didn't feature children enough in lead roles. I took this as a CHALLENGE and did a larger re-write, which I then sent out to MORE agents.

    To cut a long story short, there then followed a LENGTHY period of rejection, followed by a request for a full manuscript from one agent, followed by a telephone conversation, followed by a MEETING, and then an envelope containing a contract whicj THIS agent had ALREADY SIGNED!

    Thus I was, this week, in the very happy situation of being able to email all the other agents who had not yet said "no"to tell them that I had Taken On Representation and was no longer available to them. HA! It did feel good I must say, although it was a little bit of a struggle to find the time to do it because the above mentioned MEETING had then led to a REVISIONS OUTLINE which in turn has led to me doing a MASSIVE rewrite of the book to bring a LOT more younger characters in. There's name changes, age revisions, a whole bunch of new characters, LOADS more monsters and an entirely new subplot. Perhaps most of all there's a change to the TITLE and, most fun for me, the generation of an APPENDIX giving a whole history of the institution.

    I have been enjoying it ENORMOUSLY! The current plan is for me to finish this big re-draft by the middle of December so that My Agent can read it over Christmas and then come back with (hopefully smaller) further revisions so that he can take it out round publishers early in the New Year. It is RATHER EXCITING but, as I'm sure you can understand after last time, I'm doing my best to contain it all by not saying too much (I hope) about it. All being well there'll be some news next year, but in the meantime I've got a whole lot of typing to get on with!

    posted 20/11/2018 by MJ Hibbett
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    Academic Experimentalism
    I spent a large chunk of Saturday at WORK this weekend... or at an old work anyway. For LO! I was attending Transitions 8, the Comics Studies conference that takes place at Birkbeck College where I spent MANY years in gainful employment. It was slightly odd being back there, although it was reassuring that, even after so long away, I was still able to get Mildly Lost trying to get to another floor. Some things never change!

    The highpoint of the day for me was right at the start, when Dr M Gray gave the keynote which was party about her book on Alan Moore but also contained a range of "beefs" she has about the field of Comics Studies. It was all very politely done, including the complaint that Comics Studies is too polite. She was saying, as I understood it at least, that the FIELD should be more confident in itself so that different theories/schools/ideas could argue with each other, rather than all trying to be Team Comics. She also mentioned that Comics Studies had a lot of FORMALISM in it (i.e. talking about the structure, the panels, the FORM of comics rather than what's in them or how they came to be or what they MEAN), to the detriment of other areas of interest, which led to people throughout the rest of the day saying "Sorry, I'm a formalist" in a very polite way. It was dead good to have something right at the beginning which put the cat amongst the pigeons a little bit, and rather pleasantly WARPED all the talks for the rest of the day.

    I am very much NOT a formalist so I must admit I did find some of the talks about... well, formalist, but there was plenty of good stuff too. My main concern, I must confess, was my OWN talk, which was coming at the end of the day. When I first arrived the organisers came over to apologise for sticking me and my fellow PhD-er Mr G Lawley on at the end, and then for the fact that they'd had to move around various parallel sessions so that we were the only thing on in that last slot. "You mean we're HEADLINING?" I asked. Apparently you CAN look at it that way, but i don't think anybody else was.

    When our session finally came it was, to be honest, GRATE fun. Guy did an EXTREMELY interesting talk about the history of American comic books before Superman, which consisted, amazingly, of only five years of STUFF. There were descriptions of Cultural Production, there were interesting What Ifs, and there was a demonstration of How Comics Are Made using a folded up broadsheet newspaper that was FASCINATING, also ILLUMINATING!

    My talk was called "Doctor Doom as The Avatar Of Supervillainy In Not Brand Echh" and it was based on a bunch of BLOGS wot I'd written a while back for my Marvel Age Doom blog. I was a bit NERVOUS about it because I was trying a different presentation technique, as I've always been a bit disappointed in how my previous comics talks have worked out. For each one I'd pretty much written the whole thing down and then read it out - I've done my best to LOOK UP and engage a bit, but someone reading off a piece of paper is always a bit DULL, and I always think that if you're going to WRITE a paper then the best thing to do would be to ask people to READ it themselves, so I was determined to improve my SKILLZ in this regard.

    I've also been doing quite a lot of presentations at WORK since I started my current job, and that's really made me see that it's better to try and say LESS in order to get more Actual Information across. ALSO it turns out that slides are NOT just for either a) lists of words or b) Dave Gorman-style gags but can ACTUALLY be used to c) guide YOURSELF through what you're talking about. THUS I tried to carry this over to my Comics talk, and built a set of slides to help ME as well as the audience.

    On top of all of that, I wanted to set myself up for something where I could ENJOY myself and tit around a little bit, like what I do at gigs. As it turned out this, and all of the above, TOTALLY happened. It was FAB! There were actual GASPS when I did a slide showing the enormous number of comics I was looking at, which was EXTREMELY gratifying, and at one point I saw a Leading Comics Academic wiping ACTUAL TEARS of LARFTER from his eyes.

    I was a bit worried about what would come in the questions, so was a bit surprised when the above Notable Thinker put his hand up and asked "Do you ever find out what's under Doctor Doom's mask?" but luckily I have extensive experience of answering questions like that from my NEPHEW, so was able to fully respond. Someone else asked WHY Marvel thought it could do humour, and where it had come from, and this forced my BRANE to think on the spot and come up with a Fairly Sensible Answer.

    What I am trying to say is that it went DEAD WELL and I was, and am, VERY PLEASE about it. It does feel at the moment that all of the Transferable Skillz wot I picked up in all these years of ROCK are finding new homes in other areas, and I have to say that I rather like it!

    posted 12/11/2018 by MJ Hibbett
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    Christmas Is Coming
    There has been much Validators Activity of late, as we exercise our IMMENSE Teamworking SKILLZ to prepare the latest version of our CHRISTMAS album, Christmas Selection Box for release.

    For LO! this year we are going to put the WHOLE album onto iTunes, Spotify, and all that sort of thing so that it can be heard and enjoyed much more widely. For too long Christmas Playlists have been made which do not feature, for instance, Roy Wood In The Blue Note, which is frankly a CHRISTMAS CRME.

    We're also taking the opportunity to add several more songs to the tracklisting, not least our forthcoming single Last Christmas (in the EU), which is not only one of the most festive tunes we have ever done, but is also pretty much GUARANTEED to bring down the government. We're now at the stage where Frankie has done the main mix and we are all getting him to tweak tinier and tinier aspects of it. It is, I am fully confident, his FAVOURITE part of the process.

    Meanwhile we've also been working on a track called Christmas In The Future which is, basically, an ART project. I asked The Validators to send my roughly one minute of what they thought Christmas might sound like in THE FUTURE and then, while they set to work, recorded a narration a bit like what Phil Spector does on HIS Christmas album. None of us knew what the others were doing, so when I put it all together i was DELIGHTED to discover that it did indeed sound VERY futuristic and VERY Christmassy!

    Also, it's only a minute long, so it's a lot less hassle to listen to than the Phil Spector one.

    We've also got the order of tracks to sort out, but I'm full of hope that we'll get everything done by this time next week, at which point I'll get it all uploaded to iTunes etc ready to be UNLEASHED by the start of Advent. There's going to be a brand new VIDEO too, it's going to be the best Christmas EVER!

    posted 8/11/2018 by MJ Hibbett
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    Homework
    The clocks went back by an hour at the weekend, but if felt to me as if they had gone back THIRTY YEARS, for LO! I spent most of my free time doing HOMEWORK!

    Admittedly this homework was mostly about DOCTOR DOOM and MARVEL COMICS, but still, I felt Mildly Oppressed to be sat at my desk typing up an ESSAY about The Production Of Culture Approach as it might be used to Periodise The Marvel Age when, surely, all my pals were out on their BIKES and/or hanging around outside Our Price. It turns out that doing a PhD involves a LOT of homework, but I'm having to do a bit more than usual at the moment because of some extra tasks that have come in, notably a BOOK CHAPTER!

    For LO! I got a VERY exciting email last week telling me that my proposal to write a chapter entitled "Doctor Doom: The Transmedia Supervillain" for a new book about Marvel had been ACCEPTED! It's only accepted to the stage of first draft at the moment, so if they don't like it they can still say no, but it's all RATHER thrilling. This first draft is due in mid-January, which would be plenty of time if it wasn't for the fact that I have a) a conference presentation about 'Not Brand Echh' to do in a couple of weeks and b) a whole different chapter about Periodisation to hand in for the actual Phd not long after that and c) a massive Confirmation Document to complete so that I can carry on doing it too.

    THUS I was chained - CHAINED - to the laptop for a large part of the weekend, but OBVS it could have been a lot worse. When I worked at The University Of Leicester I was offered the chance to do a PhD in STATISTICS, and almost did it until somebody said "You'll be spending 5 years doing this, so it has to be something you're really interested in and care about," which I wasn't and didn't, so luckily I SWERVED that particular NIGHTMARE. I AM interested in Doctor Doom and DO care about Transmedia Archeology though, which is lucky because that person was RIGHT!

    I've now completed a Production Of Culture analysis of Marvel Comics from 1961-1987 (it is QUITE INTERESTING and also features lots of PICTURES) and on Sunday evening I presented a first go at my presentation to The Slides In My Powerpoint (she is one lucky lady!) so now I can spend some time planning out the Confirmation stuff and MUSING upon the Book Chapter. A little while ago I was having a mini-MOPE because there wasn't much going on. Now there's almost TOO MUCH!

    posted 30/10/2018 by MJ Hibbett
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    Coal Drops Yard
    I work in London's Fashionable Kings Cross area of London, where there are always new things popping up, or being rebuilt. For instance, my proper office is in the Granary Building, which used to be... well, a granary building, but is now the main site for Central St Martins.

    It's all very funky and exciting, especially when something new opens that you can go and have a nosey around, and so it was last Friday when the Coal Drops Yard area opened up. It's right next door to the Granary Building and all the time I've been coming here - first for PhD stuff and latterly for Actual Job - it's been boarded up, so it was a bit of a shock to wander out at lunchtime and see a whole new ZONE ready for looking at.

    Originally this was the coal yard for the industrial site that sat here next to the canal and near Kings Cross and St Pancras stations, but the whole thing has now been cleaned up and re-tooled as a SUPER CHI-CHI shopping destination. It looks GORGEOUS, especially the two roofs which scoop around and up at one end like two waves crashing into each other. Apart from that though it's weirdly pointless. I, and everyone I know who went to have a look, came back and said "It's all very nice, but I can't see why I'd ever go there again." The shops are SO chi-chi that it's hard to work out what they actually are - you walk past some and think, is it a cafe? is it a shop? or is it maybe an art gallery of some kind? There appear to be NICK NACKS available, but does anybody need quite that much tat? One of the shops seems to concentrate on chocolate, but my boss claims that he saw a bar of chocolate that cost FIFTY QUID, which surely can't be right can it?

    Usually in places like this you can find a PUB at one end, but at Coal Drops Yard everywhere looked like it was a RESTAURANT, with staff congregating at the doors to show you to a table or - more likely for ROCK AND ROLL REBELS like me - keep you out. I walked around the whole area and honestly could not work out what the point of any of it was!

    CONVERSELY they've just opened a new PUB in St Pancras station, right at the back where the HS1 trains go from. It's ALWAYS full, even after only being open for a week, and when myself and The Maths In My Retail Plan popped in last Tuesday it was clear that EVERYBODY knew EXACTLY what it was for, and were thoroughly enjoying it. I predict that the PUB will last a lot longer than most of the chi-chi nick nack shops down the way!

    posted 29/10/2018 by MJ Hibbett
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    Bandcamp Rationalisation
    Last week I received a TXT from Mr R Kirkham, asking for THORTS about It Only Works Because You're Hibbett. This is the tribute album to ME that Ray organised a few years ago, and my thoughts on it can mostly be summarised as "HOORAH!" but he was after something a bit more practical than that.

    He'd originally put the album on his own Bandcamp site and made some CDs, with all proceeds going to a NATURE charity that we agreed on, but now that the physical copies have sold out he was wondering what would be best for the long-term future of this EPIC and MARVELLOUS creation. It seemed sensible for me to download it and then stick it up on my OWN Bandcamp Page, partly so that Ray didn't have to worry about ADMINISTERING it, but also so that it would be HIGHLIGHTED to anybody who came visiting to look at our OUTPUT.

    So that's what we did, and you can now find it on the above mentioned Bandcamp Page. I hope this means that more people get to hear about it, because I think it is GRATE. There's a whole host of ALLIES and CHUMS on it - listing any of them would mean having to miss some out, so I would suggest you go and have a look for yourself. If you read the tracklist and think "COR! That sounds FAB!" then you can find out whether you are right - HINT: you will be!

    posted 26/10/2018 by MJ Hibbett
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    Quiz Machine
    Last night I took a trip back in time, and also down the road, to see 'Henry Cage: Quiz Machine' at 2 Northdown, just round the corner from my work. This was the new show from Mr Harry Carr AKA Harry from the MA, and there was a whole bunch of fellow ALUMNI in attendance. It was dead good!

    The pre-show featured Ms E Morgan for our traditional periodical chat about How It's All Going - for Emma it appears to be going QUITE EXCITINGLY with things in ACTUAL DEVELOPMENT - and towards the end Ms M Malm, before we went round the corner to meet up with Ms M Velevitch and Ms L Hayford for the show itself. It was LOVELY seeing everybody again, and seems VERY hard to believe that we finished the MA four years ago. That can't be right can it? I'm prepared to believe we might have STARTED it four years ago, but that seems like AGES since it was all over. I always think that one of (if not THE) best things about that course was the other people who were on it - hanging around in the pub with them on Wednesday nights was certainly my favourite part of the teaching anyway - and it was fab to lurk around with them in a Theatrical Space again.

    The show itself was dead good too. I've seen a couple of Harry's shows before and he has always been a WHIZ at doing Audience Participation without making anyone feel BAD about it. He got people up on stage and, while staying in character and being funny, made them feel part of the show without forcing them to do things they didn't like. It was also deceptively CUNNING - it was set up like a pub quiz, which allowed for JOKES all the way through (PROPER jokes too) but then a SUB-PLOT to develop which built even more jokes into it. The best bits, according to me, were a) the way he immediately got audience members to pretend to be team leaders and shout out their scores at the end of each round b) the catchphrase "I'll allow it" and c) ending with getting everyone to stand up and sing a Christmas Carol. This latter felt bizarre at the time, but it was a lovely way to get the whole audience united, and also standing up ready to applaud when he left the stage!

    It was, all in all, a fab night - a reminder of fun times in the past and a sign that those kind of times can carry on!

    posted 17/10/2018 by MJ Hibbett
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    Gigs And The Got Them
    A couple of weeks ago I had an upsetting 24 hours when I had NO GIGS BOOKED AT ALL!

    It happened just after we'd finished the show at The Gladstone Arms. Suddenly, for the first time in over a decade, I had ABSOLUTELY NO GIGS booked in the diary. It was awful!

    I was, however, terribly brave about the whole thing, not least because I knew that there were gigs AHOY, and indeed by Sunday we had got one BOOKED, with Totally Acoustic returning for a Christmas Special on December 6th. I'm not bringing these shows back on a particularly regular basis just yet, but I HAVE missed them, so I'm hoping to do a couple more next year too.

    With that under our belts MORE gigs flowed in, with one in January in DERBYSHIRE tentatively arranged for The Vlads (more details of that one when it's properly sorted out). Then there was a GIG AVALANCHE as no less than FIVE gigs were slotted in over the rest of the week - as previously mentioned Mr Matt Tiller and I had been plotting some gig-getting, which all went extremely smoothly, though the first one was a bit of a MAD DASH.

    We'd looked at a list of possible places to play around February/March time, and one of the nominated locations was Leicester. I realised on the Friday that, actually, that was when The Leicester Comedy Festival was on, so had a quick look to see what the deadline for show submissions was.

    I checked this at about 11am on Friday 5 October. The deadline turned out to be 5.30pm on Friday 5 October!

    There thus followed a FLURRY of activity. I decided NOT to contact the promoter at The Criterion to ask for a slot because a) that is where Steve and I usually did OUR shows, so it would have felt like CHEATING and also b) they're not THE quickest people to answer emails, so instead I emailed the Cookie Club, who we went to last time to do Hey Hey 16K at The Globe. Amazingly they got back to me RIGHT away and, with a phone call and a LOT of emails between Matt and I, the whole thing was BOOKED and PAID for with over an hour to spare before the deadline. It was, I think, the easiest fringe show I have EVER booked!

    After that Mr T Eveleigh got in touch and offered us gigs in Sheffield and Croydon, then Matt sorted us out shows in Manchester and Bristol too! We were both slightly FLABBERGASTED by how straightforward it had been. Tour booking is usually A GRIND, but this had been easy. Almost... too easy?

    We're hoping to get in a few more shows, possibly Plymouth and then one in Camberwell and finally back at The King & Queen (probably for the next Totally Acoustic) and then we'll have a RIGHT proper tour all booked. It looks like next Spring is going to FLIPPING ROCK!

    posted 16/10/2018 by MJ Hibbett
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    A Trip To Edinburgh
    I left work at lunchtime on Thursday to catch a TRAIN. It's the sort of thing I used to do all the time when I was in Regularly Touring Mode but haven't for AGES, and in this instance it wasn't for ROCK anyway. For LO! I was heading to Edinburgh for a CONFERENCE!

    The whole thing had been booked through work, which meant that - STEEL YRSELVES - I had to travel all the way there in STANDARD class! As I always say, booking first class just means you got ORGANISED a bit earlier, and the LUXURY of getting a single seat all the way is not one that we should allow THE WEALTHY to have all to themselves, THUS my use of that particular carriage is an act of CLASS WAR which, it just so happens, also entitles me to free biscuits. It ALSO makes the trip much more relaxing, as if you've got a single seat it means you never have to worry about LOONIES coming and sitting next to you. And yet you try telling that to the Finance team at your work and they don't believe you!

    There were no loonies to report on either leg of my journey, but it was still MUCHO BUSY, especially on the way there, and it wasn't quite the luxurious afternoon of reading comics, gazing out of the window, and eating free biscuits that I usually look forward to. Still, I got to Edinburgh in the end and strolled through that GORGEOUS city to the Premier Inn in New Town. COR but it is a lovely place, Edinburgh, I like it a LOT!

    I popped out to get some TEA after I'd checked in, and did a bit of CUNNING SHOPPING which I must remember to do again in future. I really fancied a cup of TEA - I drink Peppermint Tea when I'm out and about because a) tea-style tea NEVER tastes any good outside of your own home and b) Peppermint is, so far, almost impossible to mess up - and I'd noted that it would cost 1.75 for a cup in the hotel. HOWEVER, a whole PACK in Tesco round the corner only cost 80p! I believe this is what the young people call WINZ - i had THREE CUPS before bed time! Take THAT, so-called Costa Coffee!

    The next morning it was still DAMP so I got the bus across town to the conference hotel. The driver seemed DISGUSTED that I didn't know that all single tickets in Edinburgh cost the same, but I managed not to HULK OUT and instead enjoyed the trip down Princes Street, VERY glad not to be walking along it in the rain. I hopped off next to The Waldorf Hotel which is where the conference was. It was DEAD POSH inside and rather nice, though my dears I am sorry to report that when they brought the food out for lunch most of the plates were MUCKY! Clearly they have diverted New Dishwasher Money into the Fancy Napkins Fund instead.

    The conference itself was about Research Data Management and was Quite Interesting. Whenever I go to a conference I always think it is going to be about STATISTICS, despite the fact that I've not been to one of those in YEARS, so tend to be pleasantly surprised that I'm still awake after ten minutes, but this one was actually RELEVANT to my Professional Interests, and gave me some IDEAS. It was good!

    It all finished just before 4pm, leaving me with 90 minutes before my train left, so I decided to do the honourable thing and go to THE PUB. I was trying to work out a route that would avoid both Princes Street (BORING) and too many HILLS, then remembered that I'd walked past this hotel every day when we did Hey Hey 16K so followed that route down to the Grassmarket and round past Sneaky Pete's. It felt weird to be doing it without a Hula Hoop over my shoulder!

    Like a FOOL I waited until I'd gone a long way down Cowgate before turning left up to the Royal Mile, which meant I had to MOUNTAIN CLIMB up the SHEER FACE of an extremely inclined street, and was out of breath by the time I got to the top and stumbled into the whisky shop. Once I'd made my purchase and recovered myself I went round to The Halfway House for a quick drink before getting my train home. It's a LOVELY pub which I will always remember as the place where a) Mr S Hewitt and I watched the closing ceremony of the 2008 Olympics and a) we agreed to do 'Dinosuar Planet' the next year and most importantly b) he declared his avowed intent to take part somehow in the 2012 Olympics. We did both!

    It did feel weird to be saying goodbye to Edinburgh after such a flying visit, but I have high hopes of going again soon. I'll book my own ticket this time though!

    posted 15/10/2018 by MJ Hibbett
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    Mad Day
    Things have been a little quiet in ROCK lately, but they haven't half been busy at WORK. Yesterday, for instance, was a bit of a MAD DAY.

    It started off with a trip to the London College of Communication in Elephant & Castle, where I went to talk to an Artist/Lecturer about ways to capture Practice Research on our computer system. It was DEAD INTERESTING and also entirely compliant with my professional interests. Talking about this sort of thing is always fun, but I am especially enjoying it at the moment because I am getting close to Actually Knowing What I'm On About. I've been in this job just over six months now and I've reached the blissful point where not all questions result in my SWEATING WITH DREAD. It's quite nice!

    I then hopped on a tube and went to High Holborn, to explain our system to some people involved in the Teaching Pathway. At UAL academic staff are either on a Research, Teaching or Knowledge Exchange Pathway, depending on what they mainly DO, and so far our system's been mostly set up to work for Research. THUS I'm now going round talking to people on the other pathways to see what they could actually USE it for. This also is great fun, and also SENSIBLE as I haven't a flipping clue what they might like it to do!

    With that done I zoomed off to Oxford Circus for a quick nip into GOSH before returning to Elephant & Castle to attend a Committee where I was giving a PRESENTATION. I have also now reached the point where I can not only TALK about the systems but also ANSWER QUESTIONS without wanting to run away and hide under an easel somewhere. The meeting was GRATE as everyone seemed DEAD KEEN, as they were at my NEXT meeting which took me back into town and to The London College Of Fashion for ANOTHER presentation. I'm always AFEARED when I go there that EITHER everyone will sneer terribly at my outfit OR worse still STEAL my Unique Look for next year's collections. In actual fact they tend to be lovely, and this time were even MORE keen on the system. It's all a bit weird really, I keep expecting people to REJECT any idea of new computer stuff, but instead they say "But this is amazing and will solve all of our problems!" It's like appearing in an advert for washing powder!

    After that i got back on the tube AGANE and headed back to Elephant and Castle one last time, for the launch of The Comics Research Hub at LCC. This is the rather brilliant plan for bringing together ALL the various Comics Studies research that goes on across the six colleges of UAL - we are basically a WORLD LEADER in this field, but nobody seems to notice because everybody's spread out across different sites and departments. Seeing everybody gathered together in the room was RATHER exciting, like when THE AVENGERS have a meeting of ALL the members and even George Perez struggles to fit them all in!

    It was also a bit weird for me because there were people there from BOTH my aspects of UAL - the PhD AND the actual job - so I found myself in the odd position of SWANNING AROUND a little bit introducing people to each other. Luckily there was also time for some FREE BEER, so it wasn't all out of the ordinary, but CRUMBS it was a busy end to a busy day!

    And then this afternoon I'm off to a Conference in SCOTLAND. What has happened to me? I thought jobs were supposed to be boring?!?

    posted 11/10/2018 by MJ Hibbett
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    Two Johns, Jilted and Otway
    Last night myself and The Synapses In My BRANE met at Great Portland Street to go and see John Otway and Jilted John. The gig had originally been at Koko, but then the venue was closed down for some reason and the show was moved to 229, which was MUCH better for us. Koko is one of those old Victorian theatre venues that always feel too dark, MUCH too cramped and, for some reason, too expensive, and is also in stinky CAMDEN. 229 was much handier (and right next door to a Pizza Express doing their ACE vegan pizzas too) and actually dead nice. We'd been there a couple of times before, and remembered it as a long thin basement, but I think it must have moved next door, as we went through a different entrance and the room we found ourselves in felt like a Hotel Ballroom. It was under a hotel, so it might well have been!

    You can always tell if you haven't seen Otway for a while by the presence of NEW JOKES. We guessed we hadn't seen him for at least a couple of years, which meant there were about THREE new gags! I've been going to see him for thirty years now, and the set/act has not changed that much in all that time - it develops much like a GLACIER - so it was a bit of a shock to be laughing at gags I hadn't heard before, especially when some of them were actually Quite Good!

    He was, as ever, GRATE, and it's lovely now to hear him tell his stories and realise that we were a (tiny, but still) part of some of them. I'm always amazed, when I see him playing non-headlining gigs, to realise that there are still people going to gigs who somehow have never SEEN Otway before! Especially at a show like this, where everyone else was at LEAST our age and had clearly been to at least SOME gigs before, yet many of them were laughing in SURPRISE (rather than everyone else's comfortable DELIGHT and RECOGNITION) at some of the jokes. I can only surmise that they must have been doing it on purpose, saving their first Otway gig for a special occasion.

    He was supporting Jilted John, who was dead good, but it did make for a bit of a strange combination. Here was John Otway - an ACTUAL Punk Legend with TWO hits - doing the support for a PRETEND Punk Legend with ONE hit, which was a PRETEND Punk song even at the time! I guess maybe the fact that Jilted John hasn't done around 2,000 actual gigs since the 70s means it's a bit more special to see him!

    As the second half of the gig went on it slowly dawned on me that this was a SHOW - the songs were linked together, and told chronological stories. Was the set based on a MUSICAL maybe? I don't know, he didn't make a big thing of it or anything, but it felt as if there was more to it than met the EAR. I was, I must admit, a bit disappointed that John Shuttleworth didn't come on for the encore, but John Otway DID, and it was hilarious watching everybody realise that he only knew the "Gordon Is A Moron" bit for the main song (which, wonderfully traditionally, they did a second time at the end).

    It was dead good but, as I say, a bit confusing. Did I see a Punk Rock show? A pastiche, tribute, or recreation of same? Or something ELSE?!?!?

    posted 9/10/2018 by MJ Hibbett
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    The Gladstone Arms
    Saturday was that most delightful of days: one full of THE VALIDATORS!

    For LO! not only did we have a GIG booked in the evening, but we also had a RECORDING SESSION in the afternoon, to do some DRUMS for this year's Christmas song. When the song was written a couple of weeks ago we all got A Little Bit Excited about it, and decided that we needed to make an effort to record it properly (or at least not improperly). Tim had thus suggested that he, Emma and Tom set off for London a bit early (Frankie had already booked his train, so his timings were IMMOVABLE) and then we meet in a rehearsal studio in Holloway to do some recording.

    So that's what we did! We were in a place called Storm, which was actually very nice. I'm continually surprised by how PLEASANT most rehearsal studios are these days. I spent a LOT of time in them during the 1990s when they were uniformly cold, damp, smelly and AWFUL, but these days they tend to be CLEAN and even have GEAR in them that works. Kids today with their habitable rehearsal space and functioning equipment, they don't know how lucky they are!

    Tim had brought his CAJON and various other bits of kit with him, although it turned out he hadn't brought the RIGHT bits of kit, so had to manhandle it all together somehow from furniture. Meanwhile Tom and I set up our respective recording devices in separate parts of the room, to try and get a decent spread of sound, and prepared to record, with me standing next to Tim, singing and playing guitar as a GUIDE.

    After the first take Tim very gently suggested that I sing NOT QUITE SO LOUDLY - partly so that we would get as clean a take of the drums as possible, and partly because the end of the song has a KEY CHANGE so the less of my inability to a) play the chords b) hit the notes which made it onto the recording, the better! I thus found myself basically stood behind him, WHISPERING the words as we went along, which actualy seemed to work quite well. We then did the same for ANOTHER song (details of which are UNDER WRAPS at present) before settling into a brief PRACTICE and then heading off to South London, where we were due to play a gig at The Gladstone Arms.

    As previously discussed it is a LOVELY pub, made all the lovelier than the arrival, just a few minutes after us, by Mr FA Machine. The Validators were COMPLETE at last!

    The sound was done by a very nice, very enthusiastic, very DILIGENT Romanian chap, and sounded GRATE. We had a good old NATTER and were joined by various CHUMS and lovely people, and then at about 8pm we went on stage (or "corner of the room") and did THIS:
  • 20 Things To Do Before You're 30
  • Can We Be Friends?
  • Have A Drink With Us (Drink Doch Eine Met)
  • Being Happy Doesn't Make You Stupid
  • Two Nights, One Pub
  • It Only Works Because You're here
  • The Lesson Of The Smiths
  • We Did It Anyway

  • It sounded, by all accounts, DEAD GOOD - as I say, the soundman was GRATE, and playing in that formation, with all acoustical instruments modestly amplified through the same PA, alongside Tim's Cajon set-up, means that we can actually HEAR each other and react accordingly. There was one GRATE bit where a song started too slowly, and I remembered that if I just sped up a bit then everyone else would too! BAND SYNERGY!

    I must admit that I did get a bit distracted by a table sat right in front of us who insisted on HAVING A VERY LOUD DRUNKEN CONVERSATION throughout, but that is more me than them. I am out of practice at Not Taking It Personally! Otherwise everybody seemed to be well into it, even those who did not know us, and I was once more especially pleased with the end bit to Two Nights, One Pub, which is dead good.

    After our set there was more chat before it was time to say farewell to The Validators as they set off back to The Midlands. It really is DEAD NICE when we have a couple of gigs in close proximity like this, as you get to carry on conversations from last time and, indeed, discuss how GRATE it had been the last time too! Talk of our Christmas Curry hung in the air as we went our separate ways, but hopefully there will be time for a get together again before that!

    posted 2/10/2018 by MJ Hibbett
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    Alison Alien
    Today sees the debut of another video from John Dredge and The Plinths - 'Alison Alien', what you can see right HERE:



    It has been created by Popaisy Productions using the simple ingredients of Mr J Dredge, a green screen, The Breakfast Club and COMPUTER WIZARDRY, and looks, I think, GRATE!

    Keen eyed colleagues will note that the song itself came out earlier this year when we released The Emergency EP. The idea then was to release a video for every song, one a month, and we did pretty well until it came to the last song as someone else had embarked upon the project, but never finished it. Luckily for us (and all POP FANS) the delightful people of Popaisy took on the task and created the masterpiece you see above.

    Further Plinths output is forecast in the future, INDEED I spent a healthy chunk of Sunday afternoon recording extra GUITARS for the next EP, which is sounding rather SUPER. There's a little way to go before its all done, not least because I'm probably going to have to re-do my BASS playing, but it's sounding good so far!

    posted 1/10/2018 by MJ Hibbett
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    Marching To Birdsong
    It was a very wet morning on Saturday as we headed to Hyde Park, there to gather for the start of The People's Walk For Wildlife. We've been to several starts of marches here, usually for Badger Cull Demoes, but this was quite a bit bigger. When we got into the park I set to searching for the tell-tale black and white of The Badger Army, but instantly saw a HUGE crowd of people standing around in front of a Proper Stage.

    As we got closer we could see home-made Badger placards (like what we had), but also ones featuring Hares, Bees, Bats, Foxes, Newts and all sorts of other wildlife that's under threat. It was like a gathering of the CLANS, with all the different wildlife lovers of the country coming together. It was also very soggy, tipping it down throughout the Speeches part of the event, which began with a selection of tunes which The Tracks In My Shuffle theorised had come directly from C Packham's iPod.

    The next hour of speeches and music (which, as is the rule for these sort of things, ran late and turned into an hour and a half) became DISTINCTLY WEIRD for me when Chris Packham introduced a couple of musicians, one of whom was BILLY BRAGG, and the other was our own G Petrie! There was Grace on stage singing "Big Yellow Taxi" with B Bragg paying guitar for her! Grace who used to support acts in various long-demolished pubs in Leicester in the early 90s! With Billy Bragg as her sideman! Later on she did a song on her own and, as ever, I thought "I hope she's going to be all right playing to all these people" and then remembered, AGANE, that even though I think of her as a teenager playing in The Victory, she is ACTUALLY an International ROCK Star of immense skill who could do this sort of thing in her sleep. She was GRATE!

    Alongside all that were speeches which, as I say, massively over-ran, despite the best efforts of the organisers. Most of the speakers mentioned that they only had two minutes to speak, with one person SPENDING two minutes telling us why that wasn't long enough, which I always find Somewhere Fatiguing, but eventually we were all done and the march commenced.

    This bit was BRILLO. The first twenty minutes were spent crossing Hyde Park, which was LOVELY - more marches should be done on grass, it's much easier on the feet! Before the day itself people had been asked to download an mp3 of BIRDSONG (specifically birdsong that had disappeared from England in recent times) and play it on their phones as we walked along, which was FLIPPING LOVELY. It felt slightly surreal walking through the posh bits of London traffic apparently surrounded by BIRDS, but it was much more restful than having to chant things all the time. It was also GRATE having a banner EACH to wave!

    Eventually we reached Whitehall, where I was disconcerted to find MORE speeches which, as is the rule, we couldn't hear most of because of speakers MUTTERING. I always find this Quite Troubling: surely if you KNOW you are going to speak in front of 10,000 people, you would spend a LITTLE time working out what you are going to say, rather than just RAMBLING? Thankfully George Monbiot came on towards the end and did a PROPER SPEECH which was dead good. Still, the quiet did give us more time to appreciate the birdsong, which was augmented by the sound of some VERY confused parakeets sitting in the tree that we were sheltering under!

    It was a bit of a soggy stomp, but a good day all round - it was done to promote The People's Manifesto For Wildlife, which seems to be a Thoroughly Good Thing, so hopefully us being there helped a bit!

    posted 25/9/2018 by MJ Hibbett
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    Course Of Empire
    Friday evening found myself and The Paintings In My Gallery meeting up in the CAFE at the National Portrait Gallery for some post-work ART. We met in the NPG cafe purely because of its handy location and charming ambience, the fact that it was HAPPY HOUR (2 for one on BOOZE) had absolutely nothing to do with it!

    Once refreshed from the working week we wandered round the corner to the National Gallery to go and see the Ed Ruscha: Course Of Empire exhibition. We had a bit of trouble finding it because we didn't know how to pronounce "Ruscha", and the staff we asked seemed not to understand. "Rothko? Not here..." began one, before a lengthy discussion on that particular artist. Eventually we repeated it enough times (and actually almost correctly!) before she went "Oh RUSCHA!" and pointed us along the corridor.

    The aforementioned Dates In My Diary had picked this exhibition to look at because she thought it would be compliant with our interests, and she was CORRECT, for it was ACE! It was two sets of five paintings, one done in black and white in the 90s, depicting the rooftops of various small town businesses, the other the same buildings in colour about ten years later. The two versions of each scene were shown together and it was DEAD GOOD. It told a story (it was on because it was named after Thomas Cole's Eden To Empire which was showing elsewhere in the gallery), it was FUN, it was FREE and also it was VERY SHORT - all ten paintings were hanging in the same room, so you could stand in the middle, turn 360 degrees, and see THE LOT.

    It was fab and I would highly recommend it, especially if you can get to the NPG Happy Hour beforehand!

    posted 24/9/2018 by MJ Hibbett
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    Catalogue Logging
    This week I have undertaken an onerous ROCK ADMIN task which has stretched my patience to the very limit, as it has forced - FORCED - me to go through most of my own back catalogue, thinking about my own songs and reading my own lyrics. As anyone who knows me will guess, this has been AWFUL.

    Oh all right, no it hasn't, I've had a lovely time! I can never understand people who claim not to like their own stuff - either they are FIBBING in an attempt to look COOL in the eyes of idiots (surely not!) or are telling the truth in which case WHY are they going round inflicting it on other people? Listening back to your own stuff is even MORE fun when it's OLD stuff that you have half forgotten about, as then it sounds like someone else wrote a song SPECIFICALLY TAILORED to your own thoughts and opinions!

    The impetus for undertaking this task came from my esteemed publishers Wipeout Music, who emailed last week asking for some help. They're currently entering their entire catalogue into a new database and required a load of METADATA for every song, and so are having to go through THE LOT adding in song codes and other information by hand. For some reason they assumed that I would have most of the information about my own songs easily to hand, so wondered if I might be able to do my bit myself?

    I'm sure I don't know WHERE they got THAT idea from - I am much too busy smoking doobie joints and ROCKING OUT to know anything at ALL about metadata, and certainly do not have some kind of "Database of ROCK" to hand recording in-depth information about songs, albums, PRS Codes, ISRC codes... oh, hang on, I TOTALLY DO! Thus I happily volunteered, and have spent the rest of the week a) copying across codes, song lengths, filenames etc into the spreadsheet they sent me and b) going through every song to add QUALITATIVE information.

    This last bit has been the MOST fun. Each song has fields for "Mood" and "Lyrics", the first requiring a single word like "Happy" or "Sad", the second needing a brief representative section of lyrics. I assume both of these are so that Soundtracking/Advertising Types can do a quick search of the database to find, for instance, a Happy song which features the word "sozzled" or an Angry song featuring the word "architecture", so I've been trying to get 2-4 lines of lyric for each song which both captures the ESSENTIAL ESSENCE while also containing relevant KEYWORDS.

    This has actually turned out to be a lot easier than I thought, as for most of my songs that is what the CHORUS is. It's much more difficult trying to boil down the MOOD to something sensible, and it's noticeable that certain words crop up more often on certain albums. "Nostalgic" comes up a lot for A Million Ukeleles, for instance, while there's an awful lot of "Christmas" on Christmas Selection Box!

    The main problem, however, is that it's making me think "This song is dead good, why don't I play it at gigs more often?" Of course at the moment the answer is "Because you're not DOING any gigs!" but, in a broader, long-term sense, the answer is something like "Because it has that weird chord in that you had to overdub on its own in the studio after an embarrassing hour of incompetence" or "Because the middle eight sounds like the Bon Jovi song you clearly ripped it off from". Still, maybe if I DO get round to doing gigs again I'll actually make an effort to LEARN some of the older, non-gigged, songs again.

    For now it's an enjoyable stroll through the back catalogue, which turns out to be FLIPPING LENGTHY. There's 156 songs in the database, and that's just the ones that were RELEASED on COMPACT DISC and iTunes, there's at least as many again that came out in other directions. How did I ever manage to maintain a COMPREHENSIVE DATABASE at the same time?!?

    posted 21/9/2018 by MJ Hibbett
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    Gigs And The Getting Of Them
    On Tuesday night I went to BOROUGH, to meet Mr M Tiller and to case out a VENUE.

    The venue was The Gladstone Arms, where me and The Validators are playing next Saturday (the 29th, we're on first at about 8:30pm). It feels like AGES since I last played a venue I've never even BEEN to before, so I thought it'd be good to go and have a look. I am glad that I did, because The Glad is a LOVELY little pub, with nice beer, a most pleasant atmosphere, and Easy Access To Transport Links. It's quite small too, so if you're planning to come and see us (and if you live within 80 miles of central London then surely YOU MUST) I would advise getting there in a timely fashion!

    The MEETING was to discuss the possibility of me and Matt going out on TOUR next year. Over the past few weeks I've been trying to book some gigs, with very little success. I emailed 14 (fourteen) promoters in London, and of those only THREE replied, with just Bark, who are putting us on at The Glad, saying "yes". This was a little bit disappointing, not least the fact that the VAST majority of people didn't even bother to reply - I ALWAYS reply to people who ask to play Totally Acoustic (except for one person whose Facebook message disappeared for some reason - this was about 6 years ago and I still feel bad about it), even when they have clearly emailed very venue or promoter in London asking for a gig for their Death Metal Band. Surely that is just MANNERS?

    Anyway, I'd mentioned this on the social media and Matt had sympathised, having had similar luck himself, so we got together to see about going round the country together instead. We agreed immediately that we would NOT be doing this in a VAN, nor would we be going out and STAYING out, but rather would try and do somewhere between 5 and 8 gigs over a roughly six week period. This seems MUCH more sensible and do-able - I mean, I of course could happily hit the road for a whole month and eat nothing but Jack Daniels and motorbikes, it is Matt's health I am thinking of.

    We got a LIST of places to try, three each to start with and then other batches to follow that, and agreed a rough area of DATES to do it in. The next stage is to start ASKING - I'm going to start with PALS, so even if they say "I haven't put a gig on in ten years!" or similar, at least I'm sure of a reply!

    posted 20/9/2018 by MJ Hibbett
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    Christmas Is Coming
    It's that most wonderful time of the year, when the thoughts of all indie bands turn to Christmas!

    For LO! September is when deadlines start to loom hazily over the horizon, and you realise that if you want to have a song on a compilation, even if it's one of our own, in early December, it needs to be sorted out by November, which means recording in October, which means you need to write it... NOW!

    I had already written ONE song, but it felt more like a "me" song rather than one for The Validators, so I was thinking maybe I should do something else. I discussed this matter with The Links On My Chain who said "I've already GIVEN you a GRATE idea for a song - " and continued to re-relate her idea for a song about how this would be our last Christmas in the EU.

    This is, obviously, a TREMENDOUS idea, and by the time we'd got home the general SHAPE of the song was fully formed, requiring just a few more ideas from The Validators, and then a couple of days of bits of TUNE arriving in inconvenient places (thinking of a chorus is almost IMPOSSIBLE when you are in a rehearsal room SPECIFICALLY to think of a chorus, but it's EXTREMELY easy in the middle of a Very Long And Important Meeting), before it was completely finished. Then all that remained was a half hour to record a DEMO for The Validators, et VOILA! "Last Christmas (in the EU)" was complete! And also, BLOODY GRATE!

    The next stage will be to record the band version, which we're planning to do a week on Saturday in LONDON TOWN. The Vlads are coming down to the big city on Saturday 29 September for our gig at The Gladstone Arms (everybody come and see us!) so we've booked into a rehearsal room for a couple of hours so that I can record AT LEAST Tim's drums and Emma's vocals, hopefully Tom's violin too, then add MY bits at home later and send THE LOT back to Frankie (who's coming down on the train so won't be in the rehearsal room) to MIX. We are quite excited about this song as it is a) dead Christmassy b) DEAD POLITICAL, so we're keen on getting it right!

    I'm planning to release this song, and ALL of our Christmas songs so far, on iTUNES this year, so that they can find their way onto Christmas playlists and such like, and all being well there will be a VIDEO and even some PROMOTION. It's been a quiet year so far for The Validators, but we're planning to finish it with a BANG!

    posted 19/9/2018 by MJ Hibbett
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    Pattisonisphere
    Saturday lunchtime found me heading for Leicester, or to be exact Woodhouse Eaves, for the ROCK EVENT of the Season - PATTISONISPHERE!

    This was the long-anticipated extravaganza to mark the 50th Birthday of our own Mr Tim Pattison, which was taking place in the Village Hall. Tim's original plan was to get EVERY band he had EVER been in to reform and play a couple of songs during the course of a day long festival of ROCK. Luckily for his own sanity (and all of ours) this had been whittled down over time to a much more reasonable three - The Torture Garden (his first band proper), Prolapse (hence the low-key warm-up last week) and us.

    Once I'd got to Leicester and checked into the Premier Inn I strolled across town to St Margaret's bus station. "It's so much better these days," I thought, "now that there are big signs clearly telling you where the buses go from." The only trouble with this was that MY bus was not on ANY signs, and it took some PANICKY QUEUING in the info centre to discover that the signs were "playing up", followed by a DASH back to the other end of the station to catch my bus.

    Five minutes into the journey I was joined by Mr T "The Tiger" McClure, and we arrived in Woodhouse Eaves not long after to find it a HIVE of activity. The Torture Garden had just finished their practice in the scout hut (which would serve as DRESSING ROOM later on!) and so PA systems were being moved into the main room, lights were going up, food was being brought in, and all manner of people were dashing about setting things up and moving things around. It was all quite exhausting!

    Soon Mr F A Machine arrived and we were able to drag Mrs E Pattison away from her Project Management duties for long enough to have a sound check. Last time we played the Village Hall the sound wasn't particularly great, and I was AFEARED that this would be the case again, but as usual I had forgotten that the REASON you do a soundcheck is to get the sound right, and that it will ALWAYS sound a bit weird to start with. EVERY time we do a soundcheck I panic at the start, and have to remind myself that the POINT of this is to sort it out!

    With that all done we left Prolapse to take their turn and Emma to continue her work, while me, Frankie and Tom popped down the road to the pub, where we were joined by Mr M Petersdorf and family, not long arrived from distant GERMANY. We had a right old chinwag, which continued when we moved down the road to the OTHER pub in the village, as the first one had been fully booked for food. It was all a bit GLAM in the second pub, demonstrated most clearly by the fact that we were soon also joined by Sorted Supremo Dave Dixey!

    After dining we headed back to the Village Hall, which was now full of PEOPLE and a PARTY in full swing. I had been following text message updates from The Points Of My Plan who had got the train to Loughborough and taxied it from there, so was a) relieved b) DELIGHTED when she rolled up not long after us. Now the PARTY could truly get going!

    What followed was a BLOODY BRILLIANT evening of boozing, yacking, dancing, eating and occasional interruptions for ROCK BANDS. The beer was supplied by Mr Jimmy Machine, who had come with Mrs Joanne Machine bearing a barrel of BEER what he had made himself - it was DELICIOUS. The dancing meanwhile was provided by DJ TURK, demonstrating all the skills, and even more of the LARFING, that he used to demonstrate all those many years ago back at The Tube Bar!

    Tim had got himself different OUTFITS for each of the acts, and he looked VERY dapper when The Torture Garden took to the stage, wearing a paisley shirt, waistcoat and sunglasses. I think it was meant to look funny, but it actually really suited him, as if he was meant to STILL be a GOTH and dress accordingly! It was pretty fab to actually SEE The Torture Garden, which we have heard about SO many times over the year!

    It was pretty fab in a lot of ways really - the GRATE thing about being in a band with the same people for SUCH a long time is that you end up intertwined in each other's ACTUAL LIVES, so at things like this you bump into FAMILY who feel like your own cousins and PALS from other people's work or villages who feel like your own. It's lovely, especially when it leads to an ANIMATED conversation with your bandmate's brother-in-law about the current season at Peterborough United!

    Prolapse were on second, and it was STRANGE to say the least to see them in a Village Hall, playing NOT at the usual high volume, but it seemed to work! Then it was our turn, and we went armed with SURPRISES. Unbeknownst to Tim, The Validators had spent the previous few weeks organising Pattisonisphere t-shirts, with a BACK PRINT sort of like The Reading Festival adverts, with EVERY band he'd EVER been in listed on it. THUS when we took to the stage I was able to say "Tim! THE BAND are wearing Pattisonisphere t-shirts!" and then we all removed our OUTER GARMENTS to reveal matching t-shirts beneath. I passed Tim his shirt and he looked BLOODY DELIGHTED by the whole thing - also ASTONISHED! It was GRATE!

    We then did our set, which went like this:
  • Billy Jones Is Dead
  • 20 Things To Do Before You're 30
  • Do The Indie Kid
  • Easily Impressed
  • Dinky Doo
  • We Did It Anyway
  • Notable surprises for the birthday boy including having to do a DRUM SOLO during Do The Indie Kid, Frankie's introduction of the 'Brooklyn 99' theme tune during Introducing The Band, and Emma singing an un-setlisted rendition of Dinky Doo towards the end. It was all in all RATHER a lot of fun, and I think Tim liked it. We certainly did!

    Afterwards there was further hugging, boozing, eating (there were PILES of Samosas and Pakoras, it was ACE), yacking and DANCING, including a mass Validators Dance Frenzy when The Cure came on. Eventually though it was time to go, and myself and The Songs On My Playlist headed into the night to wait (AGES!) for our taxi, and then to go back to The Premier Inn.

    The next day felt a lot like the aftermath of Indietracks, as everyone was poised over their phones hoping for MORE pictures and MORE comments on how GRATE it had all been, as a way of making it all last a little bit longer. Lots of people said that Tim and Emma should do it again - I for one would heartily agree!

    posted 10/9/2018 by MJ Hibbett
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    Reunion Interrupted By Racket
    I went to a GIG last night, for the first time in AGES. It had been so long, in fact, that I forgot how gigs WORK and turned up just after 7:30pm i.e. at DOORS. What was I thinking?

    It all turned out fine for LO! I was at The Moths Club to see Prolapse, and being there so early meant I ended up sitting in the front room for about an hour chatting to a parade of CHUMS who came strolling through the door. It was lovely, also slightly unnerving, as everybody looked a) THE SAME and b) simultaneously OLDER. It felt like I was living through a memory of a similar night somewhere TWO DECADES ago, except everyone seemed quite a lot HAPPIER now, and also a bit more excited about the fact that we were all OUT!

    I last saw a lot of these same people a couple of years ago i.e. the LAST time Prolapse did a reunion gig! That meant that we'd already done a lot of the "I haven't seen you this century!" stuff back then, so this time there was more general catching up. It was like going to a really nice reunion, except with some people making a RACKET every now and then so you had to stop talking.

    The first such noisemakers were FIVEHEAD from Leicestershire, a band SO YOUNG that one of them had been one of the Actual Children in our 'Do The Indie Kid' video! He seems to have grown up VERY quickly - we only put that out, as far as I recall, last year? They were dead good, doing their first London gig and everything, although I did feel for them halfway through when a LEAD broke and they had to stop and fix it. Some things never change!

    After they'd finished there was even more HUGGING and saying hello to people I hadn't seen for AGES, before Prolapse rather selfishly interrupted us all and started doing a gig. Scottish Mick was saying that they had only done two practices in the past 23 years (we are much more professional and have done THREE TIMES that many) but it sounded GRATE. I tell you what, their drummer is VERY good!

    The whole gig was actually a low-key warm-up for Tim's birthday party this weekend, to mark him turning FIFTY earlier this week! It's all a bit strange - I spent much of the set stood with Sorted Supremo Dave Dixey, and we were discussing the fact that his own FORTIETH birthday party seems quite recent (NB it was 18 years ago) and at the time we all thought he was becoming VERY OLD.

    It was a lovely evening, though I must confess that I am feeling ALL MY YEARS this morning. How did I manage to do this sort of thing three or four times a week EVERY week? And how am I going to cope with doing it all AGANE at the weekend? PRAY for me!!

    posted 7/9/2018 by MJ Hibbett
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